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Titre
Transcription
À suivre
 

Le secret du passé et de l’avenir, partie 7/12

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(Many people have set Master’s poems to music.) Then they recite it in Southern, Huế, Northern accents, all kinds of styles. (This poetry collection is from Âu Lạc [Vietnam]. When fellow practitioners bring it back, Hoàng Giác is also setting Master’s poems to music. Nguyễn Văn Tý, the composer of the song “Du Am,” and many other composers as well, not convenient to mention here. In the future, if Master permits, I may produce a CD in which the most renowned composers of Âu Lạc [Vietnam] will set Master’s poems to music. It will be presented to Master and also released to fellow initiates. If Master permits, we will do it. May I ask for Master’s permission...) […]

(To respond to the affection of Master and the fellow initiates, I will continue to perform another piece, “Rice Drum.”) Wow! (A Quan Họ Bắc Ninh folk song.) 

(The person I would like to introduce to Master and everyone today is a very lovely person. More than 30 years ago, I met her in Đà Nẵng. She was a well-known singer there, though only famous in Đà Nẵng, not throughout Âu Lạc [Vietnam]. However, I am very happy that she was able to come here, because I can meet an old friend again. She has become a vegan and follows Master, and has even brought her whole family along. […]

(Dear Master and fellow initiates! Before us is a truly talented Lady whose name is known throughout the world. Today is the second time having the honor of meeting Master. Please give that talented Lady a round of applause.) It’s for you. (With the poetry of [Supreme] Master Ching Hai, I would like to present the poem “Eternal Beloved” which a musician has just set to music earlier, accompanied by the magical flute of Mr. Ngọc Nôi.) Wow! […]

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